MONSTA have been described as having the melodic synth thrum of Flux Pavilion, the tech-soul vocal drops of Moby and the reverberant snares of trip-hop act U.N.K.L.E. -but their sound is instrument-based and largely sample-free and it was Skrillex who found them. The trio (producers Rocky and Rufio and vocalist Skaar) will release their first EP on the electronic dance music (EDM) star’s indie imprint OWSLA this summer.
“I was at South by Southwest with my manager Tim [Smith] and a few friends,” says Skrillex. “Tim says, ‘I got something,’ and pulls up [MONSTA’s ‘Holdin’ On’]. I said, ‘That’s a sick track and a cool vocal sample. Where’d they get that from? Is that Aretha Franklin?’’ But it wasn’t a sample. It was Skaar’s powerfully androgynous performance of an original song written and recorded by the group.
‘Holdin’ On’ has all the makings of a radio hit-not only an irresistible vocal hook, but a complete verse-chorus-verse song structure. The EP boasts remixes from electronic music’s finest; Dillon Francis, Alvin Risk and even though he has turned down requests from the worlds biggest stars, Skrillex has cleared his schedule to put his mark on the EP with an exclusive remix too (his last one won him a Grammy Award). “This is not your typical dubstep. A lot of that has already become cliché,” he says. “This is next-level.”
Signed to the same management stable as Chase & Status, Knife Party and Sub Focus and remixing for artists such as Zedd, Labrinth and Skylar Grey; MONSTA have been played by Zane Lowe on Radio 1 as his ‘Next Hype’ and featured by the likes of NME, 1883, Disorder and included in Billboard magazine’s albums for Summer 2012, ‘40 Hottest Releases’. MONSTA are becoming a regular feature on the club and festival circuit, having already wowed crowds at Camden Crawl, Wireless and Isle of Wight Festival and have been personally invited by Xfm’s Eddy Temple Morris to play a coveted slot at this years sold out Secret Garden Party.
Well, Monsta tore the house down, rebuilt it, then destroyed it again just for fun.LESS THAN 3
Leaving control to the vocals and the well-developed instrumentals give the deep genre an entirely new light.DANCING ASTRONAUT
His vocals are so raw and so pristine he can just walk up to any mic…. he just sounds like fucking angels are singing.SKRILLEX
As heavy in bass as it is high on life.ZANE LOWE